My work is created with polymer clay, a man-made substance that begins as blocks of solid-colored clay-like material that does not require water to become soft.  (You may know it as Sculpey, Premo or Fimo.)  Repetitive kneading softens and conditions it for use.  

Like clay from the earth, polymer clay can be shaped, carved, and textured.  Unlike other clay, the colors of the polymer clay can be blended just like blending paint.  That is, mixing together blue and yellow polymer clay yields green clay.  Also, polymer clay bakes at 275 degrees rather than in a high-temperature kiln.  Like many polymer clay artists, I use a pasta machine not only to condition the clay, but also to blend colors and achieve new designs.  Although I never use any paint on my work, I sometimes incorporate gold leaf or foil into the clay.  All of the colors in the pieces come from the clay or the foil.

The artwork interprets in polymer clay the fluid sense of fabric caught at a moment in time.  It blurs the line between what appears might yield to a touch and what actually is permanently formed.

The pieces of clay that make up the designs are baked and then mounted on stretched canvas that has been covered with fabric. Depending on the design, the piece may or may not be framed.  Presenting the pieces without glass over them encourages the viewer to take a closer look.  Working with the clay in this way allows a broader exploration of polymer clay as a fine art medium.